In this demo, you'll hear the Furch Yellow Deluxe GC-SR A showcasing its rich, balanced tone with exceptional clarity, warmth, and dynamic range. Featuring a premium AA grade Sitka spruce top paired with Indian rosewood back and sides, this guitar delivers outstanding projection, articulation, and responsiveness. In this video: • Fingerstyle playing • Strumming • Flatpicking examples • Tone showcase • Natural acoustic response Recording Chain: • Analogue Tube AT-4 Tube Preamp

In this demo, you’ll hear the Furch Green GC-TR A showcasing a rich, mature tone with outstanding clarity, warmth, and dynamic response. The combination of a torrefied Sitka spruce top and Indian rosewood back and sides creates a highly open, responsive, and musical sound. Everything is recorded with minimal processing to preserve the natural character of the instrument as accurately as possible. In this video: • Fingerstyle playing • Strumming • Flatpicking examples • Tone s

Why are artists returning to analogue recording in the age of digital music? In this episode of Dean St. Stories, we sit down with Simon Saywood, founder of Analoguetube and one of the UK's most respected studio equipment specialists. After decades working behind the scenes at some of Britain's most iconic recording studios, Simon shares why analogue equipment continues to inspire artists, engineers and producers around the world. From rebuilding legendary vintage hardware to

In this demo, you'll hear the Furch Blue Deluxe Gc-SW A through fingerstyle and flatpicking, showcasing its rich, balanced tone and dynamic response. The guitar was recorded with minimal processing to capture its natural sound as faithfully as possible. In this video: • Fingerstyle (Open Tuning) • Fingerstyle with Capo • Flatpicking Example • Specs & Features • Furch CNR System® Active Overview Recording Chain • Analogue Tube AT-4 Tube Preamp • Vintage Neumann KM84 (Center M

Marc Daniel Nelson: Keeping it Fresh by Jonathan Morrison for TapeOp Magazine interviews For over two and a half decades, Marc Daniel Nelson has built a career rooted in musicality, technical rigor, and a deep respect for the lineage of recorded sound. A Grammy-winning producer, mix engineer, and creative director, Marc’s work spans an unusually wide spectrum – moving fluidly between records, film, television, software design, and large-scale creative direction while simultan

Christian Svedin checks out Analoguetube's new tube mic pre amp AT-4 β Beta The AT-4 β Beta mic pre shares a few common features with the classic AT-3 but as you will see, not all that meets the eye for this beautiful sounding mic pre amp is the same .. The AT-4 is gain active between both triodes 7025 tubes and employs negative feed-back in the amplifing stage, providing improved stability and a very linear frequency response, reduced distortion and lower THD. The AT-4 offe

Abbey Roads latest behind-the-scenes room tour sees us step inside Room 30, home to engineers Frank Arkwright and Miles Showell. Including Miles Showell's GOLD AT-101 stereo limiter by Analoguetube

AT-3 REVIEW with Barry Rudolpf & Mix Magazine Luxurious, Single-Channel Tube Mic Preamp By Barry Rudolph The AT-3 is an all-tube mic preamp and a worthy companion to the company's AT-101 Stereo Limiter, a rendition of the classic Fairchild 670 Limiter I reviewed back in The 2010 issue of Mix . The AT-3 furthers the company's philosophy of a no-expense-spared design and build.

A recently upgraded and fullly customized this AT-101 stereo unit was originally made in 2010 in a year of pop hits like Katy Perry's "California Gurls" and Adele's "Rolling in the Deep" and for this stereo compressor. In 2010 It began a prestigious journey around the globe from Italy, and then for 2 clients in LA where it recently landed in NY last year as a standard model. After a call from the new owner it was back home with a request for it to be fully updated and who say

Want your SUB back? The AT-1/660 original mono compressors now with internal variable HPF side-chain filter. With all the attack and...