AT-1 Mono Limiter (1 Of 2)
Matched Pair Of AT-1 Mono Limiters
AT-101 Stereo Limiter (Gold)
AT-101 Stereo Limiter (Gold)
Miles Showell - Mastering Engineer
Miles Showell
Alan Meyerson
Tom Grennan - Lighting Matches
Alan Meyerson
Sphere Studios LA
Sphere LA Dec 2016 article
Francesco Cameli
eMastering
Micheal Canova Iorfida
Micheal Canova Iorfida
Chris Rea Road Songs for Lovers
Analoguebaby
Analoguebaby Studios
Dan Parry - Mix Engineer
Loyle Carner - Yesterday's Gone
Extreme Music London
Fenix Studios Sweden
Crooked Calypso
Paul Svenre
Paul Svenre
Tom Elmhirst
Any Winehouse Album Lioness 2011
Adele
PPG Studios, Italy
PPG Studios Italy
Studio B Barrie Gledden
Barrie Gledden
Barrie Gledden - Studio B
Barrie Gledden and friends
Peter Luts
Peter Luts
Peter Luts
Peter Luts
Sylvia Massy
Barry Rudolph
Extreme Music
Starlight Studios Naples
Starlight Studios Naples
Studio 57 Finland
Sonata Arctica - Studio 57 Finland
AT-1 and AT-101 Limiters
Jon Kelly - Engineer, Producer
Kerry Brown
Kevin Dippold
Kevin Dippold
Marsh Mastering
Stephen Marsh - Mastering
Ward Archer Music + Arts
Daneil Lynn - Music + Arts
Merlin Moon
Alex Pizzorni - Dual Stereo AT-101
Ronan Chris Murphy
Ronan Chris Murphy
Bill Appleberry - Henson Studio B
My Bloody Valentine
Kevin Shields
Kevin Shields
Cenzo Towshend, Decoy Studios
Sophie Ellis Bextor
Cenzo Towshend, Decoy Studios
George Ezra - Wanted on Voyage
Wes Maebe
Wes Maebe
Electric Monkey Studios
Electric Monkey Studios
Erwin Maas
Erwin Mass
Rafa Sardina
Rafa Sardina
Bobby Macintyre
Bobby MacIntyre
Red Amp Audio
Red Amp Audio
Fenix studio
Fenix Studios
Fenix Studios Sweden
Red Amp Audio
Rafa Sardina - Afterhours Studios

Analoguetube is proud to have a roster of owners and users that are considered to be among the best in the world. Listed above and below are just a few and what they have to say.

"Having just received ours we are thoroughly in love with it already. It very much holds its own along side our beloved 670. Thank you Simon for building us such a perfect tool."

-Francesco Cameli - Recording Engineer and Producer

"...the one unit that seems to be the most honest, accurate reproduction of the stereo 670 seems to be the Analogue Tube AT-101."

- Sylvia Massy - Record Producer, Mixer, Engineer and Author

"Because in a race, the new one will win. Don't misunderstand me folks, I LOVE the Fairchild 670. Despite being around 60 years old a well maintained example is still an awesome beast. But I have yet to hear a 670 that I would take in preference to an AT-101!"

- Miles Showell - Abbey Road Mastering

"It is by far the best analogue unit I have ever bought."

- Barrie Gledden - Composer

"I have used this unit extensively over the last few months and it is as faithful a reproduction of a 670 as you will ever see. The build quality and attention to detail are bordering on the obsessive. In many ways, it actually betters the original unit on which it was based - there are none of the annoying random factors associated with a piece of gear that is 50 years old. You don't have the inconsistencies in sound or the unreliability issues - you just get all of the good stuff. I used it primarily on guitars on the Verve's new album "Forth" and also on drums and across the mix bus on a variety of other projects. The release settings are very musical across a range of applications, but most of all, the AT-101 just makes everything that you put through it sound great!"

- Chris Potter - Producer and Mixer

"Simon's units look like Fairchilds, operate like Fairchilds, and sound like Fairchilds, because they ARE Fairchilds, right down to the 6386 remote cut-off tubes he resurrected from extinction, to the beautiful Sowter Transformers in all of their analog glory, only 55 years younger!"

Mark Yastishok, Owner - Heart Of David Music, Whitehall, PA USA

“I only record my own material. Developing an identifiable sound is very important to me. Working in media music, I compose across many musical genres and my AT-101 provides a sonic thread through all of my projects; it is at the heart of my sound. Simply passing sounds through the AT-101, even without without introducing any compression, transforms digital audio. Over the last couple of years, owning the AT-101, many fellow composers, after hearing how musical this unit is, have asked if I would run their mixes through it - I always say yes!” – Barrie Gledden (BBC, Disney, Nintendo, Warner Brothers)

- Barrie Gledden - Composer

"Far more open and cleaner sounding than any original Fairchild unit I have ever used."

- Miles Showell - Mastering  Abbey Road

"I've had the luxury of demoing the AT-101 for mastering applications for a month. I used it on a lot of projects of different genres, from jazz to heavy rock, and whatever you throw at it, it shines. Even my customers heard and enjoyed the difference made when I put it in the chain. I ended up using it on every project during the demo period"

- Mats Lindfors - Senior Mastering Engineer

  Cutting Room Sweden

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AT-101 Stereo Limiter (Gold)

Custom AT-101 Stereo Limiter In Anodized Amber Gold Including All Options And Matching Fan Rack And Vent Panels Mark Yastishok, Owner Heart Of David Music Whitehall, PA USA